{"id":9326,"date":"2025-10-08T11:38:13","date_gmt":"2025-10-08T11:38:13","guid":{"rendered":"http:\/\/africans-in.film\/?p=9326"},"modified":"2025-11-19T21:12:37","modified_gmt":"2025-11-19T21:12:37","slug":"abderrahmane-sissako-un-cineaste-au-service-de-lafrique-et-du-monde-2","status":"publish","type":"post","link":"https:\/\/africans-in.film\/index.php\/2025\/10\/08\/abderrahmane-sissako-un-cineaste-au-service-de-lafrique-et-du-monde-2\/","title":{"rendered":"Abderrahmane Sissako : Un Cin\u00e9aste au Service de l\u2019Afrique et du Monde"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-post\" data-elementor-id=\"9326\" class=\"elementor elementor-9326\">\n\t\t\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-d9ef35a elementor-section-boxed elementor-section-height-default elementor-section-height-default qodef-elementor-content-no\" data-id=\"d9ef35a\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-5cf8827\" data-id=\"5cf8827\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-af8a6d0 elementor-widget elementor-widget-text-editor\" data-id=\"af8a6d0\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t\t\t\t\t\t<p style=\"text-align: justify;\">R\u00e9alisateur mauritanien de renom, <strong>Abderrahmane Sissako<\/strong> s\u2019est impos\u00e9 comme l\u2019une des figures majeures du cin\u00e9ma africain. Son \u0153uvre, marqu\u00e9e par une profonde r\u00e9flexion sur l\u2019exil, l\u2019identit\u00e9 et les r\u00e9alit\u00e9s sociopolitiques du continent, lui a valu une reconnaissance internationale.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-39529bb elementor-widget elementor-widget-text-editor\" data-id=\"39529bb\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t\t\t\t\t\t<p style=\"text-align: justify;\"><strong>Un parcours entre l\u2019Afrique, l\u2019Europe et l\u2019URSS<\/strong> N\u00e9 en <strong>Mauritanie en 1961<\/strong>, Abderrahmane Sissako grandit au <strong>Mali<\/strong>, o\u00f9 il forge son identit\u00e9 artistique. Passionn\u00e9 de cin\u00e9ma, il obtient une bourse pour \u00e9tudier \u00e0 l\u2019<strong>Institut f\u00e9d\u00e9ral d\u2019\u00c9tat du cin\u00e9ma (VGIK)<\/strong> \u00e0 Moscou, o\u00f9 il perfectionne son regard cin\u00e9matographique. Son passage en Union sovi\u00e9tique influence profond\u00e9ment son approche du r\u00e9cit et de la mise en sc\u00e8ne.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-91a8e71 elementor-section-boxed elementor-section-height-default elementor-section-height-default qodef-elementor-content-no\" data-id=\"91a8e71\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-50 elementor-top-column elementor-element elementor-element-3105360\" data-id=\"3105360\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-32a42d6 elementor-widget elementor-widget-image\" data-id=\"32a42d6\" data-element_type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t\t\t\t\t\t\t\t\t<figure class=\"wp-caption\">\n\t\t\t\t\t\t\t\t\t\t<img fetchpriority=\"high\" decoding=\"async\" width=\"800\" height=\"1104\" src=\"https:\/\/africans-in.film\/wp-content\/uploads\/2021\/12\/Design-sans-titre1.png\" class=\"attachment-full size-full wp-image-9320\" alt=\"\" srcset=\"https:\/\/africans-in.film\/wp-content\/uploads\/2021\/12\/Design-sans-titre1.png 800w, https:\/\/africans-in.film\/wp-content\/uploads\/2021\/12\/Design-sans-titre1-217x300.png 217w, https:\/\/africans-in.film\/wp-content\/uploads\/2021\/12\/Design-sans-titre1-742x1024.png 742w, https:\/\/africans-in.film\/wp-content\/uploads\/2021\/12\/Design-sans-titre1-768x1060.png 768w, https:\/\/africans-in.film\/wp-content\/uploads\/2021\/12\/Design-sans-titre1-600x828.png 600w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/>\t\t\t\t\t\t\t\t\t\t\t<figcaption class=\"widget-image-caption wp-caption-text\"><\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"elementor-column elementor-col-50 elementor-top-column elementor-element elementor-element-152b912\" data-id=\"152b912\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-1d9fff4 elementor-widget elementor-widget-image\" data-id=\"1d9fff4\" data-element_type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t\t\t\t\t\t\t\t\t<figure class=\"wp-caption\">\n\t\t\t\t\t\t\t\t\t\t<img decoding=\"async\" width=\"800\" height=\"1104\" src=\"https:\/\/africans-in.film\/wp-content\/uploads\/2021\/12\/Design-sans-titre.png\" class=\"attachment-full size-full wp-image-9319\" alt=\"\" srcset=\"https:\/\/africans-in.film\/wp-content\/uploads\/2021\/12\/Design-sans-titre.png 800w, https:\/\/africans-in.film\/wp-content\/uploads\/2021\/12\/Design-sans-titre-217x300.png 217w, https:\/\/africans-in.film\/wp-content\/uploads\/2021\/12\/Design-sans-titre-742x1024.png 742w, https:\/\/africans-in.film\/wp-content\/uploads\/2021\/12\/Design-sans-titre-768x1060.png 768w, https:\/\/africans-in.film\/wp-content\/uploads\/2021\/12\/Design-sans-titre-600x828.png 600w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/>\t\t\t\t\t\t\t\t\t\t\t<figcaption class=\"widget-image-caption wp-caption-text\"><\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-e86d604 elementor-section-boxed elementor-section-height-default elementor-section-height-default qodef-elementor-content-no\" data-id=\"e86d604\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-f44922b\" data-id=\"f44922b\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap\">\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-2f82aed elementor-section-boxed elementor-section-height-default elementor-section-height-default qodef-elementor-content-no\" data-id=\"2f82aed\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-c94b312\" data-id=\"c94b312\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-cc52822 elementor-widget elementor-widget-coppola_core_section_title\" data-id=\"cc52822\" data-element_type=\"widget\" data-widget_type=\"coppola_core_section_title.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"qodef-shortcode qodef-m qodef-section-title qodef-alignment--left\">\n\t\t\t<h4 class=\"qodef-m-title\" >\n\t\t\t\t\tUne filmographie riche et engag\u00e9e\t\t\t<\/h4>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-59bbc27 elementor-widget elementor-widget-text-editor\" data-id=\"59bbc27\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t\t\t\t\t\t<p style=\"text-align: justify;\">Sissako se distingue par des \u0153uvres qui explorent les r\u00e9alit\u00e9s africaines avec une sensibilit\u00e9 unique. Parmi ses films les plus marquants :<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-8929758 elementor-widget elementor-widget-text-editor\" data-id=\"8929758\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t\t\t\t\t\t&nbsp;\n<style>\n  .ma-liste-justifiee li {\n    text-align: justify;\n  }\n<\/style>\n<ul class=\"ma-liste-justifiee\">\n \t<li><em>Le Jeu<\/em> (1989), son travail de fin d\u2019\u00e9tudes, tourn\u00e9 au Turkm\u00e9nistan.<\/li>\n \t<li><em>Octobre<\/em> (1993), qui remporte le <strong>Prix Un Certain Regard<\/strong> au <strong>Festival de Cannes<\/strong> et le <strong>Prix du meilleur court m\u00e9trage<\/strong> au <strong>Festival du cin\u00e9ma africain de Milan<\/strong>.<\/li>\n \t<li><em>Le Chameau et les b\u00e2tons flottants<\/em> (1995), une adaptation d\u2019une fable de La Fontaine tourn\u00e9e en Mauritanie.<\/li>\n \t<li><em>Sabriya<\/em> (1996), r\u00e9alis\u00e9 dans le cadre de la collection <strong>Africa Dreaming<\/strong>.<\/li>\n \t<li><em>Rostov-Luanda<\/em> (1997), un documentaire sur un ancien gu\u00e9rillero angolais.<\/li>\n \t<li><em>La Vie sur Terre<\/em> (1998), qui remporte le <strong>Prix du meilleur long m\u00e9trage<\/strong> au <strong>Festival du cin\u00e9ma africain de Milan<\/strong>.<\/li>\n \t<li><em>En attendant le bonheur<\/em> (2002), s\u00e9lectionn\u00e9 au <strong>Festival de Cannes<\/strong> dans la section <strong>Un Certain Regard<\/strong>.<\/li>\n \t<li><em>Bamako<\/em> (2006), une critique puissante des institutions financi\u00e8res internationales, s\u00e9lectionn\u00e9 au <strong>Festival de Cannes<\/strong>.<\/li>\n \t<li><em>Timbuktu<\/em> (2014), qui lui vaut <strong>sept C\u00e9sars<\/strong>, dont celui du <strong>meilleur r\u00e9alisateur<\/strong>, et une s\u00e9lection au <strong>Festival de Cannes<\/strong> en comp\u00e9tition officielle.<\/li>\n \t<li><em>Black Tea<\/em> (2023), son dernier film, qui continue d\u2019explorer les th\u00e8mes de l\u2019exil et de l\u2019identit\u00e9.<\/li>\n<\/ul>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-d624286 elementor-widget elementor-widget-text-editor\" data-id=\"d624286\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t\t\t\t\t\t<p style=\"text-align: justify;\"><strong>Un engagement culturel et politique<\/strong> Au-del\u00e0 de son travail cin\u00e9matographique, Abderrahmane Sissako a occup\u00e9 le poste de <strong>conseiller culturel<\/strong> aupr\u00e8s du pr\u00e9sident mauritanien et pr\u00e9side la <strong>Cin\u00e9Fabrique<\/strong>, une \u00e9cole de cin\u00e9ma bas\u00e9e \u00e0 Lyon. Son influence d\u00e9passe le cadre artistique : il milite pour une meilleure repr\u00e9sentation du continent africain sur la sc\u00e8ne internationale.\n\nAvec son \u0153uvre, \u00e0 la fois po\u00e9tique et engag\u00e9e, Abderrahmane Sissako demeure une r\u00e9f\u00e9rence pour les g\u00e9n\u00e9rations futures. Quel film de Sissako vous a le plus marqu\u00e9 ?\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>R\u00e9alisateur mauritanien de renom, Abderrahmane Sissako s\u2019est impos\u00e9 comme&#8230;<\/p>\n","protected":false},"author":1,"featured_media":9332,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[24],"tags":[29],"class_list":["post-9326","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-actualites","tag-magazine"],"_links":{"self":[{"href":"https:\/\/africans-in.film\/index.php\/wp-json\/wp\/v2\/posts\/9326","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/africans-in.film\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/africans-in.film\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/africans-in.film\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/africans-in.film\/index.php\/wp-json\/wp\/v2\/comments?post=9326"}],"version-history":[{"count":17,"href":"https:\/\/africans-in.film\/index.php\/wp-json\/wp\/v2\/posts\/9326\/revisions"}],"predecessor-version":[{"id":10499,"href":"https:\/\/africans-in.film\/index.php\/wp-json\/wp\/v2\/posts\/9326\/revisions\/10499"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/africans-in.film\/index.php\/wp-json\/wp\/v2\/media\/9332"}],"wp:attachment":[{"href":"https:\/\/africans-in.film\/index.php\/wp-json\/wp\/v2\/media?parent=9326"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/africans-in.film\/index.php\/wp-json\/wp\/v2\/categories?post=9326"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/africans-in.film\/index.php\/wp-json\/wp\/v2\/tags?post=9326"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}