Film Music Awards 2026 \u00d7 L\u2019Afrique Fait Son Cin\u00e9ma | Bridge.audio<\/title>\n <meta name=\"description\" content=\"Quatre projets cherchent leur musique. 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<\/div>\n <\/header>\n <main id=\"top\">\n <section class=\"hero\">\n <div class=\"wrap hero-grid\">\n <div>\n <div class=\"eyebrow\">L\u2019Afrique Fait Son Cin\u00e9ma \u00d7 Bridge.audio pr\u00e9sentent<\/div>\n <h1>\n Film\n <br>\n Music\n <br>\n Awards\n <\/h1>\n <p class=\"hero-sub\">Votre musique. Leur prochain film.<\/p>\n <p class=\"hero-copy\">Quatre projets cin\u00e9matographiques recherchent leur musique. D\u00e9couvrez les briefs et proposez vos titres.<\/p>\n <div class=\"actions\">\n <a class=\"cta\" href=\"#participer\">Participer \u2193<\/a>\n <a class=\"cta dark\" href=\"#projets\">Voir les 4 projets<\/a>\n <\/div>\n <div class=\"meta\">\n <span>4 projets<\/span>\n <span>5 directions musicales<\/span>\n <span>1 session live<\/span>\n <\/div>\n <\/div>\n <aside class=\"festival\">\n <div style=\"display: flex; align-items: center; justify-content: flex-start; gap: 20px; margin-bottom: 25px;\">\n\n <img decoding=\"async\" src=\"https:\/\/africans-in.film\/wp-content\/uploads\/2026\/09\/Logo-LAFSC-blk.png\"\n alt=\"Logo L\u2019Afrique Fait Son Cin\u00e9ma\"\n style=\"width: 180px; height: auto; margin: 0;\">\n\n <img decoding=\"async\" src=\"http:\/\/africans-in.film\/wp-content\/uploads\/2026\/09\/Logo-The-Club.png\"\n alt=\"Logo The Club\"\n style=\"width: 180px; height: auto; margin: 0;\">\n\n <\/div>\n <div class=\"eyebrow\">8e \u00e9dition<\/div>\n <div class=\"date\">\n 5\u201414\n <br>\n NOV. 2026\n <\/div>\n <div class=\"location\">EICAR PARIS<\/div>\n <p class=\"small\">Cin\u00e9mas et arts d\u2019Afrique, des Cara\u00efbes et de leurs diasporas.<\/p>\n <\/aside>\n <\/div>\n <\/section>\n <section id=\"projets\">\n <div class=\"wrap\">\n <div class=\"section-head\">\n <div>\n <div class=\"eyebrow\">01 \u2014 Les projets<\/div>\n <h2>Quatre projets cherchent leur musique.<\/h2>\n <p class=\"lead\">D\u00e9couvrez chaque projet, son synopsis et son brief musical complet directement sur cette page.<\/p><p style=\"color: #d3aa69; font-weight: bold; font-size: 1.1rem; text-align: center; margin: 20px 0;\">\u23f3 Cl\u00f4ture des soumissions : 25 octobre 2026 \u00e0 23h59<\/p>\n <\/div>\n <\/div>\n <div class=\"projects\">\n <article class=\"project\">\n <div class=\"poster\">\n <img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/africans-in.film\/wp-content\/uploads\/2026\/09\/dallas-en-afrique.jpg\" alt=\"Visuel du projet Dallas en Afrique\">\n <\/div>\n <div class=\"project-num\">01<\/div>\n <h3>Dallas en Afrique<\/h3>\n <p>Long-m\u00e9trage fiction \u00b7 Afrique du Sud \/ Togo<\/p>\n <p class=\"pitch\">Un couple mixte confronte amour, pouvoir et argent entre traditions vaudou, secteur p\u00e9trolier et scandale m\u00e9diatico-politique.<\/p>\n <details class=\"project-details\">\n <summary>Voir le brief complet<\/summary>\n <div class=\"project-detail-body\">\n <p>\n <strong>Format & Statut :<\/strong>\n Long-m\u00e9trage fiction | Sc\u00e9nario en cours (Afrique du Sud \/ Togo)\n <\/p>\n <p>\n <strong>R\u00e9alisation :<\/strong>\n Laureline Dupr\u00e9\n <\/p>\n <p>\n <strong>Synopsis :<\/strong>\n Quand un couple mixte tente d'apporter de la modernit\u00e9 au Togo, il d\u00e9couvre que le pouvoir et l'argent ont un prix que l'amour ne suffit pas \u00e0 payer. Une plong\u00e9e sous tension entre traditions vaudou, secteur p\u00e9trolier et scandale m\u00e9diatico-politique.\n <\/p>\n <p>\n <strong>Brief musical :<\/strong>\n Sc\u00e8ne-cl\u00e9 de la d\u00e9couverte de Lom\u00e9 par Chlo\u00e9 lors d'un trajet en voiture depuis l'a\u00e9roport. La musique doit traduire la chaleur, la poussi\u00e8re et le \u00ab joyeux chaos urbain \u00bb de la ville sans \u00e9craser le paysage sonore. On recherche une composition vivante, chaleureuse et progressive, qui commence de fa\u00e7on contemplative puis monte en intensit\u00e9 lorsque Chlo\u00e9 quitte la voiture pour se fondre dans la rue. Style : afro-fusion tradi-moderne d'inspiration togolaise (r\u00e9f. Toofan), alliant rythmes traditionnels et \u00e9nergie contemporaine.\n <\/p>\n <p>\n <strong>Format requis :<\/strong>\n Instrumental ou chant\u00e9 \u2013 Droits 100% lib\u00e9r\u00e9s (One-Stop).\n <\/p>\n <\/div>\n <\/details>\n <\/article>\n <article class=\"project\">\n <div class=\"poster\">\n <img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/africans-in.film\/wp-content\/uploads\/2026\/09\/kaasma.jpg\" alt=\"Visuel du projet Kaasma\">\n <\/div>\n <div class=\"project-num\">02<\/div>\n <h3>Kaasma<\/h3>\n <p>Long-m\u00e9trage fiction \u00b7 Cameroun \/ France<\/p>\n <p class=\"pitch\">Une jeune m\u00e9decin franco-camerounaise rejoint Maroua, o\u00f9 son destin bascule apr\u00e8s une embuscade qui co\u00fbte la vie \u00e0 son p\u00e8re.<\/p>\n <details class=\"project-details\">\n <summary>Voir le brief complet<\/summary>\n <div class=\"project-detail-body\">\n <p>\n <strong>Format & Statut :<\/strong>\n Long-m\u00e9trage fiction | Sc\u00e9nario finalis\u00e9 (Cameroun \/ France)\n <\/p>\n <p>\n <strong>Production \/ R\u00e9alisation :<\/strong>\n Fran\u00e7ois Chaillou (2PG Pictures)\n <\/p>\n <p>\n <strong>Synopsis :<\/strong>\n Kaasma, jeune franco-camerounaise, ach\u00e8ve ses \u00e9tudes de m\u00e9decine en France et\nrejoint Maroua, dans l'Extr\u00eame-Nord du Cameroun, pour officier dans l'h\u00f4pital dirig\u00e9 par\nson p\u00e8re Babadjo. Au retour d'une intervention dans un village meurtri par Boko Haram, le\nconvoi est pris dans une embuscade. Son p\u00e8re est abattu sous ses yeux ; elle-m\u00eame \u00e9chappe\nmiraculeusement \u00e0 la mort.\n <\/p>\n <p>\n <strong>Brief musical :<\/strong>\n La musique est au c\u0153ur de l'intrigue et repr\u00e9sente la passion secr\u00e8te de Kaasma, qui se r\u00e9v\u00e8le au fil de l'histoire jusqu'au concert final du film o\u00f9 elle prend la parole pour la libert\u00e9 des femmes. On recherche un titre d'inspiration sah\u00e9lienne et d'Afrique de l'Ouest, fusionnant m\u00e9lodies traditionnelles et pulsations reggae. Le morceau doit \u00eatre port\u00e9 par une voix f\u00e9minine forte, engag\u00e9e et \u00e9mouvante, capable de galvaniser la sc\u00e8ne finale de concert.\n <\/p>\n <p>\n <strong>Format requis :<\/strong>\n Titre chant\u00e9 (voix f\u00e9minine) \u2013 Droits 100% lib\u00e9r\u00e9s (One-Stop).\n <\/p>\n <\/div>\n <\/details>\n <\/article>\n <article class=\"project\">\n <div class=\"poster\">\n <img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/africans-in.film\/wp-content\/uploads\/2026\/09\/LAPO-CHAPE-FONDAS.png\" alt=\"Visuel du documentaire Lapo Chap\u00e9 Fondas\">\n <\/div>\n <div class=\"project-num\">03<\/div>\n <h3>Lapo Chap\u00e9 Fondas<\/h3>\n <p>Long-m\u00e9trage documentaire \u00b7 Antilles \/ France<\/p>\n <p class=\"pitch\">Un documentaire sur la m\u00e9moire, le m\u00e9tissage et les constructions identitaires h\u00e9rit\u00e9es de la colonisation, entre les Antilles, l'Afrique et l'Europe.<\/p>\n <details class=\"project-details\">\n <summary>Voir le brief complet<\/summary>\n <div class=\"project-detail-body\">\n <p>\n <strong>Format & Statut :<\/strong>\n Long-m\u00e9trage documentaire | En production (Antilles \/ France)\n <\/p>\n <p>\n <strong>R\u00e9alisation :<\/strong>\n M\u00e9lissandre Monatus (Eklepsis)\n <\/p>\n <p>\n <strong>Synopsis :<\/strong>\n \u00ab Lapo Chap\u00e9 \u00bb d\u00e9signe en cr\u00e9ole martiniquais la couleur de peau qui \u00e9chappe \u00e0 la condition servile, et \u00ab Fondas \u00bb ce qui va au c\u0153ur du sujet. Ce documentaire traverse les Antilles et l'Hexagone pour interroger la m\u00e9moire, le m\u00e9tissage et les constructions identitaires h\u00e9rit\u00e9es de la colonisation, entre Antilles, Afrique et Europe.\n <\/p>\n <p>\n <strong>Brief musical :<\/strong>\n Le morceau est destin\u00e9 aux moments charni\u00e8res du film (g\u00e9n\u00e9rique de d\u00e9but ou de fin) et doit incarner la voix et l'\u00e2me du documentaire. L'intention est de m\u00ealer enracinement carib\u00e9en, m\u00e9moire et espoir, sans sur-dramatiser les r\u00e9cits intimes. On cherche une musique organique, sensible et universelle, enracin\u00e9e dans le patrimoine martiniquais tout en restant moderne. R\u00e9f\u00e9rences : traditions du b\u00e8l\u00e8, esprit d'Eug\u00e8ne Mona, textures acoustiques et respirations contemporaines.\n <\/p>\n <p>\n <strong>Format requis :<\/strong>\n Instrumental ou chant\u00e9 (paroles en cr\u00e9ole martiniquais bienvenues) \u2013 Droits 100% lib\u00e9r\u00e9s (One-Stop).\n <\/p>\n <\/div>\n <\/details>\n <\/article>\n <article class=\"project\">\n <div class=\"poster\">\n <img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/africans-in.film\/wp-content\/uploads\/2026\/09\/MADRAS-Ambassadeur-de-la-Mode-Creole.jpg\" alt=\"Visuel du documentaire Itin\u00e9raire de la mode carib\u00e9enne : Madras\">\n <\/div>\n <div class=\"project-num\">04<\/div>\n <h3>Itin\u00e9raire de la mode carib\u00e9enne<\/h3>\n <p>Documentaire \u00b7 Cara\u00efbes \/ France<\/p>\n <p class=\"pitch\">Le tissu madras, patrimoine textile carib\u00e9en, r\u00e9invent\u00e9 par la cr\u00e9atrice Ayden jusqu'aux podiums internationaux. Une immersion mode entre h\u00e9ritage et modernit\u00e9.<\/p>\n <details class=\"project-details\">\n <summary>Voir les 2 briefs complets<\/summary>\n <div class=\"project-detail-body\">\n <p>\n <strong>Format & Statut :<\/strong>\n Documentaire d\u00e9clin\u00e9 en 2 versions : format long (Itin\u00e9raire de la mode carib\u00e9enne) et format court (Madras, ambassadeur de la mode cr\u00e9ole) | En d\u00e9veloppement (Cara\u00efbes \/ France)\n <\/p>\n <p>\n <strong>R\u00e9alisation :<\/strong>\n Alix Veroneze (en collaboration avec Ayden - Glam Ethnik)\n <\/p>\n <p>\n <strong>Synopsis :<\/strong>\n Une immersion vibrante dans l'univers de la mode caraib\u00e9enne , \u00e0 travers le tissu madras, son histoire et la fa\u00e7on dont il est r\u00e9interpr\u00e9t\u00e9 par des marques contemporaines de pr\u00eat \u00e0 porter comme celle de la cr\u00e9atrice Ayden , jusqu\u2019\u00e0 s\u00e9duire les podiums internationaux.\n <\/p>\n <p>\n <strong>Option A \u2013 Biguine \u00c9lectro \/ Drum & Bass :<\/strong>\n Fusion novatrice entre l'h\u00e9ritage festif et chaloup\u00e9 de la biguine traditionnelle (cuivres, percussions carib\u00e9ennes) et l'\u00e9nergie percutante de la drum & bass moderne (basses lourdes, synth\u00e9s ac\u00e9r\u00e9s, tempo soutenu). Une atmosph\u00e8re solaire, chic et clubbing taill\u00e9e pour le rythme d'un d\u00e9fil\u00e9. \n <a href=\"https:\/\/open.spotify.com\/intl-fr\/album\/5UqUeBFv7vAfewUpzCBNPo?si=h4FBA99DTM2Ooh5vpnl-ew\" target=\"_blank\" rel=\"noopener\">Ref: Clat (Randor\u00e9 & Jidor) \u2197<\/a>\n <\/p>\n <p>\n <strong>Option B \u2013 Dancehall \/ Afro-Carib\u00e9en Pop & Urbain :<\/strong>\n Rythmique urbaine contemporaine au groove percutant et sensuel (tempo mod\u00e9r\u00e9 autour de 100 BPM), alliant sonorit\u00e9s carib\u00e9ennes actuelles, basse lourde et m\u00e9lodie accrocheuse. Voix f\u00e9minine assur\u00e9e ou duo dynamique, apportant une attitude affirm\u00e9e, glamour et dansante, parfaite pour illustrer l'audace et la modernit\u00e9 des collections. \n <a href=\"https:\/\/open.spotify.com\/intl-fr\/track\/1aHqDbfM4dSf5bUFfEt9IU?si=1bd376ebffaa4726\" target=\"_blank\" rel=\"noopener\">Ref: Run di place (Bamby feat. Jahyanai) \u2197<\/a>\n <\/p>\n <p>\n <strong>Format requis :<\/strong>\n Instrumental ou chant\u00e9 \u2013 Droits 100% lib\u00e9r\u00e9s (One-Stop).\n <\/p>\n <\/div>\n <\/details>\n <\/article>\n <\/div>\n <\/div>\n <\/section>\n\n <section id=\"participer\">\n <div class=\"wrap\">\n <div class=\"section-head\">\n <div>\n <div class=\"eyebrow\">02 \u2014 Comment participer<\/div>\n <h2>D\u00e9couvrez. Choisissez. Envoyez.<\/h2>\n <p class=\"lead\">Trois \u00e9tapes pour proposer votre musique \u00e0 l\u2019un des quatre projets.<\/p>\n <\/div>\n <\/div>\n <div class=\"steps\">\n <div class=\"step\">\n <div class=\"n\">01<\/div>\n <h3>D\u00e9couvrez les projets<\/h3>\n <p>Lisez le synopsis et d\u00e9pliez le brief musical complet de chaque projet directement sur cette page.<\/p>\n <\/div>\n <div class=\"step\">\n <div class=\"n\">02<\/div>\n <h3>Choisissez votre brief<\/h3>\n <p>S\u00e9lectionnez le ou les projets auxquels votre musique peut r\u00e9ellement r\u00e9pondre.<\/p>\n <\/div>\n <div class=\"step\">\n <div class=\"n\">03<\/div>\n <h3>Envoyez votre proposition<\/h3>\n <p>\n D\u00e9posez vos titres via l\u2019Inbox d\u00e9di\u00e9e. \n <strong>Indiquez clairement le nom du film \/ projet auquel chaque titre est destin\u00e9.<\/strong>\n Aucun Workspace Bridge.audio \u00e0 rejoindre.\n <\/p>\n <\/div>\n <\/div>\n <div class=\"submit-film-name\">\n <div class=\"submit-film-name-kicker\">INDISPENSABLE POUR QUE VOTRE PROPOSITION SOIT VALABLE<\/div>\n <strong>Indiquez le nom du projet pour chaque titre envoy\u00e9.<\/strong>\n <p>\n Au moment du d\u00e9p\u00f4t, nommez clairement le film \/ projet sur lequel vous pitchez : \n <b>Dallas en Afrique<\/b>\n , \n <b>Kaasma<\/b>\n , \n <b>Lapo Chap\u00e9 Fondas<\/b>\n ou \n <b>Itin\u00e9raire de la mode carib\u00e9enne<\/b>\n . Sans cette indication, la proposition ne pourra pas \u00eatre prise en compte.\n <\/p>\n <a class=\"cta submit-inline-cta\" href=\"https:\/\/inbox.bridge.audio\/afsc\">Envoyer mes titres \u2197<\/a>\n <\/div>\n <\/div>\n <\/section>\n <section>\n <div class=\"wrap grid2\">\n <div>\n <div class=\"eyebrow\">03 \u2014 S\u00e9lection & Jury 2026<\/div>\n <h2>Qui choisit les titres ?<\/h2>\n <p class=\"lead\">Une pr\u00e9s\u00e9lection rigoureuse des morceaux re\u00e7us est assur\u00e9e par l\u2019\u00e9quipe artistique et musicale du festival. Le choix final du titre laur\u00e9at pour chaque film est ensuite confi\u00e9 directement aux r\u00e9alisateurs et producteurs des projets.<\/p>\n <\/div>\n <div class=\"note\">\n <strong>4 projets. 4 choix finaux.<\/strong>\n <p>Chaque projet aboutit \u00e0 la s\u00e9lection d\u2019un titre laur\u00e9at par les r\u00e9alisateurs et producteurs concern\u00e9s.<\/p>\n <\/div>\n <\/div>\n <\/section>\n <section class=\"outcomes-section\">\n <div class=\"wrap\">\n <div class=\"section-head outcomes-head\">\n <div>\n <div class=\"eyebrow\">04 \u2014 Pourquoi participer<\/div>\n <h2>Votre musique peut finir \u00e0 l\u2019\u00e9cran.<\/h2>\n <\/div>\n <\/div>\n\n <div class=\"outcomes-grid\">\n <article class=\"outcome\">\n <div class=\"outcome-number\">01<\/div>\n <h3>4 opportunit\u00e9s concr\u00e8tes<\/h3>\n <p>Chaque projet recherche une musique pour un besoin pr\u00e9cis.<\/p>\n <\/article>\n <article class=\"outcome\">\n <div class=\"outcome-number\">02<\/div>\n <h3>Un choix par les films<\/h3>\n <p>Apr\u00e8s pr\u00e9s\u00e9lection, r\u00e9alisateurs et producteurs choisissent le titre laur\u00e9at de leur projet.<\/p>\n <\/article>\n <article class=\"outcome\">\n <div class=\"outcome-number\">03<\/div>\n <h3>Une rencontre en live<\/h3>\n <p>Les finalistes sont \u00e9cout\u00e9s pendant une session d\u00e9di\u00e9e au festival.<\/p>\n <\/article>\n <\/div>\n\n <div class=\"prizes-panel\">\n <div class=\"prizes-copy\">\n <div class=\"eyebrow\">4 prix \u00e0 gagner<\/div>\n <h3>1 an de Bridge Talent Pro offert aux 4 laur\u00e9ats.<\/h3>\n <p>\n Chaque laur\u00e9at re\u00e7oit un plan Bridge Talent Pro offert pendant 12 mois, d\u2019une valeur de \n <strong>108 \u20ac par an<\/strong>\n .\n <\/p>\n <\/div>\n <div class=\"prizes-value\" aria-label=\"Valeur de chaque prix\">\n <strong>108 \u20ac<\/strong>\n <span>\n par laur\u00e9at\n <br>\n pendant 1 an\n <\/span>\n <\/div>\n <\/div>\n <\/div>\n <\/section>\n <section class=\"bridge-section\">\n <div class=\"wrap grid2\">\n <div>\n <div class=\"eyebrow bridge-kicker\">05 \u2014 Bridge.audio<\/div>\n <img decoding=\"async\" class=\"bridge-logo bridge-large\" src=\"https:\/\/clementsouchier-stack.github.io\/not-bridge\/afsc\/assets\/bridge-logo-ivory.png\" alt=\"Bridge.audio\">\n <h2>La technologie derri\u00e8re l\u2019appel \u00e0 musiques.<\/h2>\n <p class=\"bridge-copy\">Pour les Film Music Awards, Bridge.audio centralise les propositions via une Inbox d\u00e9di\u00e9e afin que les \u00e9quipes puissent recevoir et \u00e9couter les titres propos\u00e9s pour chaque projet.<\/p>\n <p class=\"bridge-copy\">\n Bridge.audio r\u00e9unit un \n <strong>Workspace + Discovery Network<\/strong>\n pour organiser, rechercher, partager et d\u00e9couvrir la musique.\n <\/p>\n <a class=\"cta\" href=\"https:\/\/www.bridge.audio\/\" style=\"background:var(--bridge);border-color:var(--bridge);margin-top:18px\">D\u00e9couvrir Bridge.audio \u2197<\/a>\n <\/div>\n <div class=\"bridge-quote\">\n Organize.\n <br>\n Search.\n <br>\n Share.\n <br>\n Discover.\n <\/div>\n <\/div>\n <\/section>\n <section id=\"live\" style=\"padding:0\">\n <div class=\"wrap live\">\n <div class=\"live-copy\">\n <div class=\"eyebrow\">06 \u2014 Le Live<\/div>\n <h2>La s\u00e9lection, en live.<\/h2>\n <p class=\"lead\">Pendant L\u2019Afrique Fait Son Cin\u00e9ma, les Film Music Awards se prolongent dans une session live de 1 h 30. Les titres finalistes sont \u00e9cout\u00e9s avec les r\u00e9alisateurs et le jury.<\/p>\n <p class=\"placeholder\">Date et horaire exacts de la session Film Music Awards : \u00e0 confirmer.<\/p>\n <\/div>\n <div class=\"live-date\">\n <div>\n <div class=\"eyebrow\" style=\"color:#403018\">Festival 2026<\/div>\n <div class=\"date\">\n 5\u201414\n <br>\n NOV.\n <\/div>\n <strong>EICAR \u00b7 PARIS<\/strong>\n <\/div>\n <\/div>\n <\/div>\n <\/section>\n <section>\n <div class=\"wrap eligibility\">\n <div>\n <div class=\"eyebrow\">07 \u2014 Pour qui ?<\/div>\n <h2>Des musiques ind\u00e9pendantes. Pr\u00eates pour l\u2019image.<\/h2>\n <\/div>\n <div class=\"lead\">\n <p>L\u2019appel est r\u00e9serv\u00e9 aux compositeurs et artistes ind\u00e9pendants des diasporas africaines et carib\u00e9ennes.<\/p>\n <p>\n Pour cette \u00e9dition, les titres propos\u00e9s doivent \u00eatre \n <strong style=\"color:var(--ink)\">one-stop<\/strong>\n : les droits n\u00e9cessaires \u00e0 leur synchronisation doivent pouvoir \u00eatre lib\u00e9r\u00e9s \u00e0 100 %.\n <\/p>\n <\/div>\n <\/div>\n <\/section>\n <section id=\"faq\">\n <div class=\"wrap\">\n <div class=\"eyebrow\">08 \u2014 FAQ<\/div>\n <h2>Avant de participer.<\/h2>\n <div class=\"faq\">\n <div>\n <details>\n <summary>Puis-je r\u00e9pondre \u00e0 plusieurs briefs ?<\/summary>\n <p>Oui. Vous pouvez r\u00e9pondre au ou aux projets qui correspondent \u00e0 votre musique.<\/p>\n <\/details>\n <details>\n <summary>Quels titres puis-je proposer ?<\/summary>\n <p>Des titres one-stop dont les droits n\u00e9cessaires \u00e0 la synchronisation peuvent \u00eatre lib\u00e9r\u00e9s \u00e0 100 %.<\/p>\n <\/details>\n <details>\n <summary>Qui s\u00e9lectionne les morceaux ?<\/summary>\n <p>L\u2019\u00e9quipe artistique et musicale du festival assure la pr\u00e9s\u00e9lection. Le choix final du titre laur\u00e9at pour chaque film revient directement aux r\u00e9alisateurs et producteurs des projets.<\/p>\n <\/details>\n <\/div>\n <div>\n <details>\n <summary>\u00catre finaliste garantit-il une synchronisation ?<\/summary>\n <p>Non. Une s\u00e9lection ou un prix ne garantit pas un placement dans un film.<\/p>\n <\/details>\n <details>\n <summary>Comment proposer mes titres ?<\/summary>\n <p>Envoyez votre proposition via l\u2019Inbox d\u00e9di\u00e9e : inbox.bridge.audio\/afsc. Indiquez clairement le nom du film \/ projet auquel chaque titre est destin\u00e9 ; cette information est indispensable pour que la proposition soit prise en compte.<\/p>\n <\/details>\n <details>\n <summary>Je n\u2019utilise pas encore Bridge.audio. Puis-je participer ?<\/summary>\n <p>Oui. Aucun compte Workspace n\u2019est n\u00e9cessaire pour participer.<\/p>\n <\/details>\n <\/div>\n <\/div>\n <\/div>\n <\/section>\n <section class=\"closing\">\n <div class=\"wrap\">\n <div class=\"eyebrow\">4 projets \u00b7 5 directions musicales<\/div>\n <h2>Quel projet attend votre musique ?<\/h2>\n <p class=\"lead\">Choisissez votre brief. Proposez vos titres.<\/p>\n <a class=\"cta\" href=\"#participer\" style=\"margin-top:18px\">Participer \u2191<\/a>\n <\/div>\n <\/section>\n <\/main>\n <footer>\n <div class=\"wrap footer\">\n <div>\n <div class=\"brand\">\n <img decoding=\"async\" class=\"afsc-mini\" src=\"https:\/\/africans-in.film\/wp-content\/uploads\/2026\/09\/Logo-LAFSC-blk.png\" alt=\"L\u2019Afrique Fait Son Cin\u00e9ma\">\n <span class=\"x\">\u00d7<\/span>\n <img decoding=\"async\" class=\"bridge-logo\" src=\"https:\/\/clementsouchier-stack.github.io\/not-bridge\/afsc\/assets\/bridge-logo-ivory.png\" alt=\"Bridge.audio\">\n <\/div>\n <p class=\"small\">Film Music Awards 2026.<\/p>\n <\/div>\n <div>\n <strong>Bridge.audio<\/strong>\n <p>Workspace + Discovery Network. Organiser, rechercher, partager et d\u00e9couvrir la musique.<\/p>\n <\/div>\n <div>\n <strong>L\u2019Afrique Fait Son Cin\u00e9ma<\/strong>\n <p>Festival consacr\u00e9 aux cin\u00e9mas et arts d\u2019Afrique, des Cara\u00efbes et de leurs diasporas.<\/p>\n <\/div>\n <\/div>\n <\/footer>\n <a class=\"cta mobile-submit\" href=\"https:\/\/inbox.bridge.audio\/afsc\">Envoyer ma musique \u2197<\/a>\n<\/body>\n<\/html>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>Film Music Awards 2026 \u00d7 L\u2019Afrique Fait Son Cin\u00e9ma | Bridge.audio \u00d7 Projets Participer Le Live FAQ Participer \u2193 L\u2019Afrique Fait Son Cin\u00e9ma \u00d7 Bridge.audio pr\u00e9sentent Film Music Awards Votre musique. Leur prochain film. Quatre projets cin\u00e9matographiques recherchent leur musique. D\u00e9couvrez les briefs et proposez vos titres. Participer \u2193 Voir les 4 projets 4 projets […]<\/p>\n","protected":false},"author":9,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"elementor_canvas","meta":{"footnotes":"","_members_access_role":[],"_members_access_error":""},"tags":[],"class_list":["post-11562","page","type-page","status-publish","hentry"],"rttpg_featured_image_url":null,"rttpg_author":{"display_name":"Clementine Koumenda","author_link":"https:\/\/africans-in.film\/index.php\/author\/clementine-koumenda\/"},"rttpg_comment":0,"rttpg_category":false,"rttpg_excerpt":"Film Music Awards 2026 \u00d7 L\u2019Afrique Fait Son Cin\u00e9ma | Bridge.audio \u00d7 Projets Participer Le Live FAQ Participer \u2193 L\u2019Afrique Fait Son Cin\u00e9ma \u00d7 Bridge.audio pr\u00e9sentent Film Music Awards Votre musique. Leur prochain film. Quatre projets cin\u00e9matographiques recherchent leur musique. D\u00e9couvrez les briefs et proposez vos titres. Participer \u2193 Voir les 4 projets 4 projets…","_links":{"self":[{"href":"https:\/\/africans-in.film\/index.php\/wp-json\/wp\/v2\/pages\/11562","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/africans-in.film\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/africans-in.film\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/africans-in.film\/index.php\/wp-json\/wp\/v2\/users\/9"}],"replies":[{"embeddable":true,"href":"https:\/\/africans-in.film\/index.php\/wp-json\/wp\/v2\/comments?post=11562"}],"version-history":[{"count":144,"href":"https:\/\/africans-in.film\/index.php\/wp-json\/wp\/v2\/pages\/11562\/revisions"}],"predecessor-version":[{"id":11809,"href":"https:\/\/africans-in.film\/index.php\/wp-json\/wp\/v2\/pages\/11562\/revisions\/11809"}],"wp:attachment":[{"href":"https:\/\/africans-in.film\/index.php\/wp-json\/wp\/v2\/media?parent=11562"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/africans-in.film\/index.php\/wp-json\/wp\/v2\/tags?post=11562"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}

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\"@id\":\"https:\/\/www.bridge.audio\/#organization\",\n \"name\":\"Bridge.audio\",\n \"url\":\"https:\/\/www.bridge.audio\/\",\n \"description\":\"Workspace + Discovery Network pour organiser, rechercher, partager et d\u00e9couvrir la musique.\"\n }\n <\/script>\n<\/head>\n<body>\n <header class=\"nav\">\n <div class=\"wrap navin\">\n <a class=\"brand\" href=\"#top\">\n <img decoding=\"async\" class=\"afsc-mini\" src=\"https:\/\/africans-in.film\/wp-content\/uploads\/2026\/09\/Logo-LAFSC-blk.png\" alt=\"L\u2019Afrique Fait Son Cin\u00e9ma\">\n <span class=\"x\">\u00d7<\/span>\n <img decoding=\"async\" class=\"bridge-logo\" src=\"https:\/\/clementsouchier-stack.github.io\/not-bridge\/afsc\/assets\/bridge-logo-ivory.png\" alt=\"Bridge.audio\">\n <\/a>\n <nav class=\"menu\">\n <a href=\"#projets\">Projets<\/a>\n <a href=\"#participer\">Participer<\/a>\n <a href=\"#live\">Le Live<\/a>\n <a href=\"#faq\">FAQ<\/a>\n <a class=\"cta\" href=\"#participer\">Participer \u2193<\/a>\n <\/nav>\n <\/div>\n <\/header>\n <main id=\"top\">\n <section class=\"hero\">\n <div class=\"wrap hero-grid\">\n <div>\n <div class=\"eyebrow\">L\u2019Afrique Fait Son Cin\u00e9ma \u00d7 Bridge.audio pr\u00e9sentent<\/div>\n <h1>\n Film\n <br>\n Music\n <br>\n Awards\n <\/h1>\n <p class=\"hero-sub\">Votre musique. Leur prochain film.<\/p>\n <p class=\"hero-copy\">Quatre projets cin\u00e9matographiques recherchent leur musique. D\u00e9couvrez les briefs et proposez vos titres.<\/p>\n <div class=\"actions\">\n <a class=\"cta\" href=\"#participer\">Participer \u2193<\/a>\n <a class=\"cta dark\" href=\"#projets\">Voir les 4 projets<\/a>\n <\/div>\n <div class=\"meta\">\n <span>4 projets<\/span>\n <span>5 directions musicales<\/span>\n <span>1 session live<\/span>\n <\/div>\n <\/div>\n <aside class=\"festival\">\n <div style=\"display: flex; align-items: center; justify-content: flex-start; gap: 20px; margin-bottom: 25px;\">\n\n <img decoding=\"async\" src=\"https:\/\/africans-in.film\/wp-content\/uploads\/2026\/09\/Logo-LAFSC-blk.png\"\n alt=\"Logo L\u2019Afrique Fait Son Cin\u00e9ma\"\n style=\"width: 180px; height: auto; margin: 0;\">\n\n <img decoding=\"async\" src=\"http:\/\/africans-in.film\/wp-content\/uploads\/2026\/09\/Logo-The-Club.png\"\n alt=\"Logo The Club\"\n style=\"width: 180px; height: auto; margin: 0;\">\n\n <\/div>\n <div class=\"eyebrow\">8e \u00e9dition<\/div>\n <div class=\"date\">\n 5\u201414\n <br>\n NOV. 2026\n <\/div>\n <div class=\"location\">EICAR PARIS<\/div>\n <p class=\"small\">Cin\u00e9mas et arts d\u2019Afrique, des Cara\u00efbes et de leurs diasporas.<\/p>\n <\/aside>\n <\/div>\n <\/section>\n <section id=\"projets\">\n <div class=\"wrap\">\n <div class=\"section-head\">\n <div>\n <div class=\"eyebrow\">01 \u2014 Les projets<\/div>\n <h2>Quatre projets cherchent leur musique.<\/h2>\n <p class=\"lead\">D\u00e9couvrez chaque projet, son synopsis et son brief musical complet directement sur cette page.<\/p><p style=\"color: #d3aa69; font-weight: bold; font-size: 1.1rem; text-align: center; margin: 20px 0;\">\u23f3 Cl\u00f4ture des soumissions : 25 octobre 2026 \u00e0 23h59<\/p>\n <\/div>\n <\/div>\n <div class=\"projects\">\n <article class=\"project\">\n <div class=\"poster\">\n <img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/africans-in.film\/wp-content\/uploads\/2026\/09\/dallas-en-afrique.jpg\" alt=\"Visuel du projet Dallas en Afrique\">\n <\/div>\n <div class=\"project-num\">01<\/div>\n <h3>Dallas en Afrique<\/h3>\n <p>Long-m\u00e9trage fiction \u00b7 Afrique du Sud \/ Togo<\/p>\n <p class=\"pitch\">Un couple mixte confronte amour, pouvoir et argent entre traditions vaudou, secteur p\u00e9trolier et scandale m\u00e9diatico-politique.<\/p>\n <details class=\"project-details\">\n <summary>Voir le brief complet<\/summary>\n <div class=\"project-detail-body\">\n <p>\n <strong>Format & Statut :<\/strong>\n Long-m\u00e9trage fiction | Sc\u00e9nario en cours (Afrique du Sud \/ Togo)\n <\/p>\n <p>\n <strong>R\u00e9alisation :<\/strong>\n Laureline Dupr\u00e9\n <\/p>\n <p>\n <strong>Synopsis :<\/strong>\n Quand un couple mixte tente d'apporter de la modernit\u00e9 au Togo, il d\u00e9couvre que le pouvoir et l'argent ont un prix que l'amour ne suffit pas \u00e0 payer. Une plong\u00e9e sous tension entre traditions vaudou, secteur p\u00e9trolier et scandale m\u00e9diatico-politique.\n <\/p>\n <p>\n <strong>Brief musical :<\/strong>\n Sc\u00e8ne-cl\u00e9 de la d\u00e9couverte de Lom\u00e9 par Chlo\u00e9 lors d'un trajet en voiture depuis l'a\u00e9roport. La musique doit traduire la chaleur, la poussi\u00e8re et le \u00ab joyeux chaos urbain \u00bb de la ville sans \u00e9craser le paysage sonore. On recherche une composition vivante, chaleureuse et progressive, qui commence de fa\u00e7on contemplative puis monte en intensit\u00e9 lorsque Chlo\u00e9 quitte la voiture pour se fondre dans la rue. Style : afro-fusion tradi-moderne d'inspiration togolaise (r\u00e9f. Toofan), alliant rythmes traditionnels et \u00e9nergie contemporaine.\n <\/p>\n <p>\n <strong>Format requis :<\/strong>\n Instrumental ou chant\u00e9 \u2013 Droits 100% lib\u00e9r\u00e9s (One-Stop).\n <\/p>\n <\/div>\n <\/details>\n <\/article>\n <article class=\"project\">\n <div class=\"poster\">\n <img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/africans-in.film\/wp-content\/uploads\/2026\/09\/kaasma.jpg\" alt=\"Visuel du projet Kaasma\">\n <\/div>\n <div class=\"project-num\">02<\/div>\n <h3>Kaasma<\/h3>\n <p>Long-m\u00e9trage fiction \u00b7 Cameroun \/ France<\/p>\n <p class=\"pitch\">Une jeune m\u00e9decin franco-camerounaise rejoint Maroua, o\u00f9 son destin bascule apr\u00e8s une embuscade qui co\u00fbte la vie \u00e0 son p\u00e8re.<\/p>\n <details class=\"project-details\">\n <summary>Voir le brief complet<\/summary>\n <div class=\"project-detail-body\">\n <p>\n <strong>Format & Statut :<\/strong>\n Long-m\u00e9trage fiction | Sc\u00e9nario finalis\u00e9 (Cameroun \/ France)\n <\/p>\n <p>\n <strong>Production \/ R\u00e9alisation :<\/strong>\n Fran\u00e7ois Chaillou (2PG Pictures)\n <\/p>\n <p>\n <strong>Synopsis :<\/strong>\n Kaasma, jeune franco-camerounaise, ach\u00e8ve ses \u00e9tudes de m\u00e9decine en France et\nrejoint Maroua, dans l'Extr\u00eame-Nord du Cameroun, pour officier dans l'h\u00f4pital dirig\u00e9 par\nson p\u00e8re Babadjo. Au retour d'une intervention dans un village meurtri par Boko Haram, le\nconvoi est pris dans une embuscade. Son p\u00e8re est abattu sous ses yeux ; elle-m\u00eame \u00e9chappe\nmiraculeusement \u00e0 la mort.\n <\/p>\n <p>\n <strong>Brief musical :<\/strong>\n La musique est au c\u0153ur de l'intrigue et repr\u00e9sente la passion secr\u00e8te de Kaasma, qui se r\u00e9v\u00e8le au fil de l'histoire jusqu'au concert final du film o\u00f9 elle prend la parole pour la libert\u00e9 des femmes. On recherche un titre d'inspiration sah\u00e9lienne et d'Afrique de l'Ouest, fusionnant m\u00e9lodies traditionnelles et pulsations reggae. Le morceau doit \u00eatre port\u00e9 par une voix f\u00e9minine forte, engag\u00e9e et \u00e9mouvante, capable de galvaniser la sc\u00e8ne finale de concert.\n <\/p>\n <p>\n <strong>Format requis :<\/strong>\n Titre chant\u00e9 (voix f\u00e9minine) \u2013 Droits 100% lib\u00e9r\u00e9s (One-Stop).\n <\/p>\n <\/div>\n <\/details>\n <\/article>\n <article class=\"project\">\n <div class=\"poster\">\n <img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/africans-in.film\/wp-content\/uploads\/2026\/09\/LAPO-CHAPE-FONDAS.png\" alt=\"Visuel du documentaire Lapo Chap\u00e9 Fondas\">\n <\/div>\n <div class=\"project-num\">03<\/div>\n <h3>Lapo Chap\u00e9 Fondas<\/h3>\n <p>Long-m\u00e9trage documentaire \u00b7 Antilles \/ France<\/p>\n <p class=\"pitch\">Un documentaire sur la m\u00e9moire, le m\u00e9tissage et les constructions identitaires h\u00e9rit\u00e9es de la colonisation, entre les Antilles, l'Afrique et l'Europe.<\/p>\n <details class=\"project-details\">\n <summary>Voir le brief complet<\/summary>\n <div class=\"project-detail-body\">\n <p>\n <strong>Format & Statut :<\/strong>\n Long-m\u00e9trage documentaire | En production (Antilles \/ France)\n <\/p>\n <p>\n <strong>R\u00e9alisation :<\/strong>\n M\u00e9lissandre Monatus (Eklepsis)\n <\/p>\n <p>\n <strong>Synopsis :<\/strong>\n \u00ab Lapo Chap\u00e9 \u00bb d\u00e9signe en cr\u00e9ole martiniquais la couleur de peau qui \u00e9chappe \u00e0 la condition servile, et \u00ab Fondas \u00bb ce qui va au c\u0153ur du sujet. Ce documentaire traverse les Antilles et l'Hexagone pour interroger la m\u00e9moire, le m\u00e9tissage et les constructions identitaires h\u00e9rit\u00e9es de la colonisation, entre Antilles, Afrique et Europe.\n <\/p>\n <p>\n <strong>Brief musical :<\/strong>\n Le morceau est destin\u00e9 aux moments charni\u00e8res du film (g\u00e9n\u00e9rique de d\u00e9but ou de fin) et doit incarner la voix et l'\u00e2me du documentaire. L'intention est de m\u00ealer enracinement carib\u00e9en, m\u00e9moire et espoir, sans sur-dramatiser les r\u00e9cits intimes. On cherche une musique organique, sensible et universelle, enracin\u00e9e dans le patrimoine martiniquais tout en restant moderne. R\u00e9f\u00e9rences : traditions du b\u00e8l\u00e8, esprit d'Eug\u00e8ne Mona, textures acoustiques et respirations contemporaines.\n <\/p>\n <p>\n <strong>Format requis :<\/strong>\n Instrumental ou chant\u00e9 (paroles en cr\u00e9ole martiniquais bienvenues) \u2013 Droits 100% lib\u00e9r\u00e9s (One-Stop).\n <\/p>\n <\/div>\n <\/details>\n <\/article>\n <article class=\"project\">\n <div class=\"poster\">\n <img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/africans-in.film\/wp-content\/uploads\/2026\/09\/MADRAS-Ambassadeur-de-la-Mode-Creole.jpg\" alt=\"Visuel du documentaire Itin\u00e9raire de la mode carib\u00e9enne : Madras\">\n <\/div>\n <div class=\"project-num\">04<\/div>\n <h3>Itin\u00e9raire de la mode carib\u00e9enne<\/h3>\n <p>Documentaire \u00b7 Cara\u00efbes \/ France<\/p>\n <p class=\"pitch\">Le tissu madras, patrimoine textile carib\u00e9en, r\u00e9invent\u00e9 par la cr\u00e9atrice Ayden jusqu'aux podiums internationaux. Une immersion mode entre h\u00e9ritage et modernit\u00e9.<\/p>\n <details class=\"project-details\">\n <summary>Voir les 2 briefs complets<\/summary>\n <div class=\"project-detail-body\">\n <p>\n <strong>Format & Statut :<\/strong>\n Documentaire d\u00e9clin\u00e9 en 2 versions : format long (Itin\u00e9raire de la mode carib\u00e9enne) et format court (Madras, ambassadeur de la mode cr\u00e9ole) | En d\u00e9veloppement (Cara\u00efbes \/ France)\n <\/p>\n <p>\n <strong>R\u00e9alisation :<\/strong>\n Alix Veroneze (en collaboration avec Ayden - Glam Ethnik)\n <\/p>\n <p>\n <strong>Synopsis :<\/strong>\n Une immersion vibrante dans l'univers de la mode caraib\u00e9enne , \u00e0 travers le tissu madras, son histoire et la fa\u00e7on dont il est r\u00e9interpr\u00e9t\u00e9 par des marques contemporaines de pr\u00eat \u00e0 porter comme celle de la cr\u00e9atrice Ayden , jusqu\u2019\u00e0 s\u00e9duire les podiums internationaux.\n <\/p>\n <p>\n <strong>Option A \u2013 Biguine \u00c9lectro \/ Drum & Bass :<\/strong>\n Fusion novatrice entre l'h\u00e9ritage festif et chaloup\u00e9 de la biguine traditionnelle (cuivres, percussions carib\u00e9ennes) et l'\u00e9nergie percutante de la drum & bass moderne (basses lourdes, synth\u00e9s ac\u00e9r\u00e9s, tempo soutenu). Une atmosph\u00e8re solaire, chic et clubbing taill\u00e9e pour le rythme d'un d\u00e9fil\u00e9. \n <a href=\"https:\/\/open.spotify.com\/intl-fr\/album\/5UqUeBFv7vAfewUpzCBNPo?si=h4FBA99DTM2Ooh5vpnl-ew\" target=\"_blank\" rel=\"noopener\">Ref: Clat (Randor\u00e9 & Jidor) \u2197<\/a>\n <\/p>\n <p>\n <strong>Option B \u2013 Dancehall \/ Afro-Carib\u00e9en Pop & Urbain :<\/strong>\n Rythmique urbaine contemporaine au groove percutant et sensuel (tempo mod\u00e9r\u00e9 autour de 100 BPM), alliant sonorit\u00e9s carib\u00e9ennes actuelles, basse lourde et m\u00e9lodie accrocheuse. Voix f\u00e9minine assur\u00e9e ou duo dynamique, apportant une attitude affirm\u00e9e, glamour et dansante, parfaite pour illustrer l'audace et la modernit\u00e9 des collections. \n <a href=\"https:\/\/open.spotify.com\/intl-fr\/track\/1aHqDbfM4dSf5bUFfEt9IU?si=1bd376ebffaa4726\" target=\"_blank\" rel=\"noopener\">Ref: Run di place (Bamby feat. Jahyanai) \u2197<\/a>\n <\/p>\n <p>\n <strong>Format requis :<\/strong>\n Instrumental ou chant\u00e9 \u2013 Droits 100% lib\u00e9r\u00e9s (One-Stop).\n <\/p>\n <\/div>\n <\/details>\n <\/article>\n <\/div>\n <\/div>\n <\/section>\n\n <section id=\"participer\">\n <div class=\"wrap\">\n <div class=\"section-head\">\n <div>\n <div class=\"eyebrow\">02 \u2014 Comment participer<\/div>\n <h2>D\u00e9couvrez. Choisissez. Envoyez.<\/h2>\n <p class=\"lead\">Trois \u00e9tapes pour proposer votre musique \u00e0 l\u2019un des quatre projets.<\/p>\n <\/div>\n <\/div>\n <div class=\"steps\">\n <div class=\"step\">\n <div class=\"n\">01<\/div>\n <h3>D\u00e9couvrez les projets<\/h3>\n <p>Lisez le synopsis et d\u00e9pliez le brief musical complet de chaque projet directement sur cette page.<\/p>\n <\/div>\n <div class=\"step\">\n <div class=\"n\">02<\/div>\n <h3>Choisissez votre brief<\/h3>\n <p>S\u00e9lectionnez le ou les projets auxquels votre musique peut r\u00e9ellement r\u00e9pondre.<\/p>\n <\/div>\n <div class=\"step\">\n <div class=\"n\">03<\/div>\n <h3>Envoyez votre proposition<\/h3>\n <p>\n D\u00e9posez vos titres via l\u2019Inbox d\u00e9di\u00e9e. \n <strong>Indiquez clairement le nom du film \/ projet auquel chaque titre est destin\u00e9.<\/strong>\n Aucun Workspace Bridge.audio \u00e0 rejoindre.\n <\/p>\n <\/div>\n <\/div>\n <div class=\"submit-film-name\">\n <div class=\"submit-film-name-kicker\">INDISPENSABLE POUR QUE VOTRE PROPOSITION SOIT VALABLE<\/div>\n <strong>Indiquez le nom du projet pour chaque titre envoy\u00e9.<\/strong>\n <p>\n Au moment du d\u00e9p\u00f4t, nommez clairement le film \/ projet sur lequel vous pitchez : \n <b>Dallas en Afrique<\/b>\n , \n <b>Kaasma<\/b>\n , \n <b>Lapo Chap\u00e9 Fondas<\/b>\n ou \n <b>Itin\u00e9raire de la mode carib\u00e9enne<\/b>\n . Sans cette indication, la proposition ne pourra pas \u00eatre prise en compte.\n <\/p>\n <a class=\"cta submit-inline-cta\" href=\"https:\/\/inbox.bridge.audio\/afsc\">Envoyer mes titres \u2197<\/a>\n <\/div>\n <\/div>\n <\/section>\n <section>\n <div class=\"wrap grid2\">\n <div>\n <div class=\"eyebrow\">03 \u2014 S\u00e9lection & Jury 2026<\/div>\n <h2>Qui choisit les titres ?<\/h2>\n <p class=\"lead\">Une pr\u00e9s\u00e9lection rigoureuse des morceaux re\u00e7us est assur\u00e9e par l\u2019\u00e9quipe artistique et musicale du festival. Le choix final du titre laur\u00e9at pour chaque film est ensuite confi\u00e9 directement aux r\u00e9alisateurs et producteurs des projets.<\/p>\n <\/div>\n <div class=\"note\">\n <strong>4 projets. 4 choix finaux.<\/strong>\n <p>Chaque projet aboutit \u00e0 la s\u00e9lection d\u2019un titre laur\u00e9at par les r\u00e9alisateurs et producteurs concern\u00e9s.<\/p>\n <\/div>\n <\/div>\n <\/section>\n <section class=\"outcomes-section\">\n <div class=\"wrap\">\n <div class=\"section-head outcomes-head\">\n <div>\n <div class=\"eyebrow\">04 \u2014 Pourquoi participer<\/div>\n <h2>Votre musique peut finir \u00e0 l\u2019\u00e9cran.<\/h2>\n <\/div>\n <\/div>\n\n <div class=\"outcomes-grid\">\n <article class=\"outcome\">\n <div class=\"outcome-number\">01<\/div>\n <h3>4 opportunit\u00e9s concr\u00e8tes<\/h3>\n <p>Chaque projet recherche une musique pour un besoin pr\u00e9cis.<\/p>\n <\/article>\n <article class=\"outcome\">\n <div class=\"outcome-number\">02<\/div>\n <h3>Un choix par les films<\/h3>\n <p>Apr\u00e8s pr\u00e9s\u00e9lection, r\u00e9alisateurs et producteurs choisissent le titre laur\u00e9at de leur projet.<\/p>\n <\/article>\n <article class=\"outcome\">\n <div class=\"outcome-number\">03<\/div>\n <h3>Une rencontre en live<\/h3>\n <p>Les finalistes sont \u00e9cout\u00e9s pendant une session d\u00e9di\u00e9e au festival.<\/p>\n <\/article>\n <\/div>\n\n <div class=\"prizes-panel\">\n <div class=\"prizes-copy\">\n <div class=\"eyebrow\">4 prix \u00e0 gagner<\/div>\n <h3>1 an de Bridge Talent Pro offert aux 4 laur\u00e9ats.<\/h3>\n <p>\n Chaque laur\u00e9at re\u00e7oit un plan Bridge Talent Pro offert pendant 12 mois, d\u2019une valeur de \n <strong>108 \u20ac par an<\/strong>\n .\n <\/p>\n <\/div>\n <div class=\"prizes-value\" aria-label=\"Valeur de chaque prix\">\n <strong>108 \u20ac<\/strong>\n <span>\n par laur\u00e9at\n <br>\n pendant 1 an\n <\/span>\n <\/div>\n <\/div>\n <\/div>\n <\/section>\n <section class=\"bridge-section\">\n <div class=\"wrap grid2\">\n <div>\n <div class=\"eyebrow bridge-kicker\">05 \u2014 Bridge.audio<\/div>\n <img decoding=\"async\" class=\"bridge-logo bridge-large\" src=\"https:\/\/clementsouchier-stack.github.io\/not-bridge\/afsc\/assets\/bridge-logo-ivory.png\" alt=\"Bridge.audio\">\n <h2>La technologie derri\u00e8re l\u2019appel \u00e0 musiques.<\/h2>\n <p class=\"bridge-copy\">Pour les Film Music Awards, Bridge.audio centralise les propositions via une Inbox d\u00e9di\u00e9e afin que les \u00e9quipes puissent recevoir et \u00e9couter les titres propos\u00e9s pour chaque projet.<\/p>\n <p class=\"bridge-copy\">\n Bridge.audio r\u00e9unit un \n <strong>Workspace + Discovery Network<\/strong>\n pour organiser, rechercher, partager et d\u00e9couvrir la musique.\n <\/p>\n <a class=\"cta\" href=\"https:\/\/www.bridge.audio\/\" style=\"background:var(--bridge);border-color:var(--bridge);margin-top:18px\">D\u00e9couvrir Bridge.audio \u2197<\/a>\n <\/div>\n <div class=\"bridge-quote\">\n Organize.\n <br>\n Search.\n <br>\n Share.\n <br>\n Discover.\n <\/div>\n <\/div>\n <\/section>\n <section id=\"live\" style=\"padding:0\">\n <div class=\"wrap live\">\n <div class=\"live-copy\">\n <div class=\"eyebrow\">06 \u2014 Le Live<\/div>\n <h2>La s\u00e9lection, en live.<\/h2>\n <p class=\"lead\">Pendant L\u2019Afrique Fait Son Cin\u00e9ma, les Film Music Awards se prolongent dans une session live de 1 h 30. Les titres finalistes sont \u00e9cout\u00e9s avec les r\u00e9alisateurs et le jury.<\/p>\n <p class=\"placeholder\">Date et horaire exacts de la session Film Music Awards : \u00e0 confirmer.<\/p>\n <\/div>\n <div class=\"live-date\">\n <div>\n <div class=\"eyebrow\" style=\"color:#403018\">Festival 2026<\/div>\n <div class=\"date\">\n 5\u201414\n <br>\n NOV.\n <\/div>\n <strong>EICAR \u00b7 PARIS<\/strong>\n <\/div>\n <\/div>\n <\/div>\n <\/section>\n <section>\n <div class=\"wrap eligibility\">\n <div>\n <div class=\"eyebrow\">07 \u2014 Pour qui ?<\/div>\n <h2>Des musiques ind\u00e9pendantes. Pr\u00eates pour l\u2019image.<\/h2>\n <\/div>\n <div class=\"lead\">\n <p>L\u2019appel est r\u00e9serv\u00e9 aux compositeurs et artistes ind\u00e9pendants des diasporas africaines et carib\u00e9ennes.<\/p>\n <p>\n Pour cette \u00e9dition, les titres propos\u00e9s doivent \u00eatre \n <strong style=\"color:var(--ink)\">one-stop<\/strong>\n : les droits n\u00e9cessaires \u00e0 leur synchronisation doivent pouvoir \u00eatre lib\u00e9r\u00e9s \u00e0 100 %.\n <\/p>\n <\/div>\n <\/div>\n <\/section>\n <section id=\"faq\">\n <div class=\"wrap\">\n <div class=\"eyebrow\">08 \u2014 FAQ<\/div>\n <h2>Avant de participer.<\/h2>\n <div class=\"faq\">\n <div>\n <details>\n <summary>Puis-je r\u00e9pondre \u00e0 plusieurs briefs ?<\/summary>\n <p>Oui. Vous pouvez r\u00e9pondre au ou aux projets qui correspondent \u00e0 votre musique.<\/p>\n <\/details>\n <details>\n <summary>Quels titres puis-je proposer ?<\/summary>\n <p>Des titres one-stop dont les droits n\u00e9cessaires \u00e0 la synchronisation peuvent \u00eatre lib\u00e9r\u00e9s \u00e0 100 %.<\/p>\n <\/details>\n <details>\n <summary>Qui s\u00e9lectionne les morceaux ?<\/summary>\n <p>L\u2019\u00e9quipe artistique et musicale du festival assure la pr\u00e9s\u00e9lection. Le choix final du titre laur\u00e9at pour chaque film revient directement aux r\u00e9alisateurs et producteurs des projets.<\/p>\n <\/details>\n <\/div>\n <div>\n <details>\n <summary>\u00catre finaliste garantit-il une synchronisation ?<\/summary>\n <p>Non. Une s\u00e9lection ou un prix ne garantit pas un placement dans un film.<\/p>\n <\/details>\n <details>\n <summary>Comment proposer mes titres ?<\/summary>\n <p>Envoyez votre proposition via l\u2019Inbox d\u00e9di\u00e9e : inbox.bridge.audio\/afsc. Indiquez clairement le nom du film \/ projet auquel chaque titre est destin\u00e9 ; cette information est indispensable pour que la proposition soit prise en compte.<\/p>\n <\/details>\n <details>\n <summary>Je n\u2019utilise pas encore Bridge.audio. Puis-je participer ?<\/summary>\n <p>Oui. Aucun compte Workspace n\u2019est n\u00e9cessaire pour participer.<\/p>\n <\/details>\n <\/div>\n <\/div>\n <\/div>\n <\/section>\n <section class=\"closing\">\n <div class=\"wrap\">\n <div class=\"eyebrow\">4 projets \u00b7 5 directions musicales<\/div>\n <h2>Quel projet attend votre musique ?<\/h2>\n <p class=\"lead\">Choisissez votre brief. Proposez vos titres.<\/p>\n <a class=\"cta\" href=\"#participer\" style=\"margin-top:18px\">Participer \u2191<\/a>\n <\/div>\n <\/section>\n <\/main>\n <footer>\n <div class=\"wrap footer\">\n <div>\n <div class=\"brand\">\n <img decoding=\"async\" class=\"afsc-mini\" src=\"https:\/\/africans-in.film\/wp-content\/uploads\/2026\/09\/Logo-LAFSC-blk.png\" alt=\"L\u2019Afrique Fait Son Cin\u00e9ma\">\n <span class=\"x\">\u00d7<\/span>\n <img decoding=\"async\" class=\"bridge-logo\" src=\"https:\/\/clementsouchier-stack.github.io\/not-bridge\/afsc\/assets\/bridge-logo-ivory.png\" alt=\"Bridge.audio\">\n <\/div>\n <p class=\"small\">Film Music Awards 2026.<\/p>\n <\/div>\n <div>\n <strong>Bridge.audio<\/strong>\n <p>Workspace + Discovery Network. Organiser, rechercher, partager et d\u00e9couvrir la musique.<\/p>\n <\/div>\n <div>\n <strong>L\u2019Afrique Fait Son Cin\u00e9ma<\/strong>\n <p>Festival consacr\u00e9 aux cin\u00e9mas et arts d\u2019Afrique, des Cara\u00efbes et de leurs diasporas.<\/p>\n <\/div>\n <\/div>\n <\/footer>\n <a class=\"cta mobile-submit\" href=\"https:\/\/inbox.bridge.audio\/afsc\">Envoyer ma musique \u2197<\/a>\n<\/body>\n<\/html>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>Film Music Awards 2026 \u00d7 L\u2019Afrique Fait Son Cin\u00e9ma | Bridge.audio \u00d7 Projets Participer Le Live FAQ Participer \u2193 L\u2019Afrique Fait Son Cin\u00e9ma \u00d7 Bridge.audio pr\u00e9sentent Film Music Awards Votre musique. Leur prochain film. Quatre projets cin\u00e9matographiques recherchent leur musique. D\u00e9couvrez les briefs et proposez vos titres. Participer \u2193 Voir les 4 projets 4 projets […]<\/p>\n","protected":false},"author":9,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"elementor_canvas","meta":{"footnotes":"","_members_access_role":[],"_members_access_error":""},"tags":[],"class_list":["post-11562","page","type-page","status-publish","hentry"],"rttpg_featured_image_url":null,"rttpg_author":{"display_name":"Clementine Koumenda","author_link":"https:\/\/africans-in.film\/index.php\/author\/clementine-koumenda\/"},"rttpg_comment":0,"rttpg_category":false,"rttpg_excerpt":"Film Music Awards 2026 \u00d7 L\u2019Afrique Fait Son Cin\u00e9ma | Bridge.audio \u00d7 Projets Participer Le Live FAQ Participer \u2193 L\u2019Afrique Fait Son Cin\u00e9ma \u00d7 Bridge.audio pr\u00e9sentent Film Music Awards Votre musique. Leur prochain film. Quatre projets cin\u00e9matographiques recherchent leur musique. D\u00e9couvrez les briefs et proposez vos titres. Participer \u2193 Voir les 4 projets 4 projets…","_links":{"self":[{"href":"https:\/\/africans-in.film\/index.php\/wp-json\/wp\/v2\/pages\/11562","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/africans-in.film\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/africans-in.film\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/africans-in.film\/index.php\/wp-json\/wp\/v2\/users\/9"}],"replies":[{"embeddable":true,"href":"https:\/\/africans-in.film\/index.php\/wp-json\/wp\/v2\/comments?post=11562"}],"version-history":[{"count":144,"href":"https:\/\/africans-in.film\/index.php\/wp-json\/wp\/v2\/pages\/11562\/revisions"}],"predecessor-version":[{"id":11809,"href":"https:\/\/africans-in.film\/index.php\/wp-json\/wp\/v2\/pages\/11562\/revisions\/11809"}],"wp:attachment":[{"href":"https:\/\/africans-in.film\/index.php\/wp-json\/wp\/v2\/media?parent=11562"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/africans-in.film\/index.php\/wp-json\/wp\/v2\/tags?post=11562"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}